I’ve been doing one of these a day (ish) to give people a bit more background & insight about the stories I’ve got out/available, to help anyone make a decision about what they want to read next, or just to give background if you’re already familiar with the story.

A novel again today, because I’m out of individual shorts, and with this I’m also out of self-published material altogether! Everything else is either in anthologies or still being edited or is poetry etc. What a ride it’s been!

If you’ve read and enjoyed my (or anyone else’s) work, here’s an article on why it’s important for you to say so in public: beware of monsters: why you should review books you love.


What if not only everything you knew about yourself was wrong, but everything everyone else knew about you was wrong too?

Pig is in hell.

He’s been in hell for the twenty years since half a continent was atomised; since his own ignominious and contentious escape from a fate that never came; when a face from his past comes offering alleviation, he inadvertently drags behind him a young revolutionary, an extracted spy, and an admin assistant way out of her depth on an unexplained mission that will take them across the world, and which may well solve nothing at all…

“I’m always pleased to see Derek Des Anges writing, with his acute understanding of the horror we do to each other and the tactics we take to survive it.” – Kieron Gillen (Wicked + Divine, Darth Vader)

Within the last couple of days, a friend informed me that “I think I really am going to have to by a copy of this for [their 90-year-old Godmother], she was very taken with the idea when I described it to her,” which I think goes to show that you’re never going to predict quite who will go for what book, no matter how certain you are of something’s niche appeal.

Its genesis was longer ago that I realised. In fact, when I say “I usually take a year to plan and write a book and then another year to edit it, because I hate editing”, I’m being disingenuous. Books overlap. Ideas for one come up, get toyed with, doodled over, put back down, a book about something previous comes out; the new idea ferments disgracefully in the back of my mind and resurfaces later, gets played with again, reshaped, and eventually dragged to the front of the conceptual queue God knows how many years down the line, often radically changed.

So it was with Heavy. I wrote what was to become a version of the first few stories as a short exploration of what might happen to the boys of Lord of the Flies (a book I have loved with fascinated horror since my adolescence) sometime between 2007 and 2008, when I was working on Pass the Parcel.

I think I thought that was the end of it. But the opening line: Pig is in hell, kept echoing around my head. I knew enough about PTSD, and began to learn enough about gaslighting – a central theme in this book – to understand that I hadn’t finished what I’d wanted to say when I wrote that short. Also, the world that had grown up in 5,000 words of speculation nearly a decade before I wrote Heavy had the potential for scope and range beyond the small glimpses I’d given of it.

I’ve been writing multiple-PoV fiction in earnest since Pass the Parcel. Prior to that there might be the odd glimpse into one character’s thinking but overall I was wedded to a specific genre convention (for example, detective fiction may or may not do this as much as others) that “one character’s perspective is all you need”. It works for Lolita, after all. This is the first time I think that the wider potential of a multiple-PoV story saw realisation in my work, where structure and major themes echoed each other.

It’s also the first time I’ve written about faith, and loss of faith, and the importance of faith to characters. I’m an atheist: always have been, always will be, unless something dramatic happens. But I have friends of faith, and friends for whom the abrupt divorce from faith under less than favourable circumstances didn’t create a happy or happily antagonistic atheist as it does in some cases, but rather someone with a profound sense of loss and sorrow – grief, really – at being closed off from something so inherent to themselves and so important to them. And, well. I like a challenge. Part of me wants to write about things I am very familiar with – and that part has had lots to work with in Heavy – but part of me thinks that’s lazy. And so that part got to write some very unfamiliar experiences indeed.

What else? There’s a cat, who doesn’t die (I am informed that every time I include a named animal in these books I have to clarify that they don’t die, because otherwise Nasty Shocks Happen); there’s an honest-to-gods car chase although perhaps not in a very cinematic fashion; there’s spycraft, adventure, derring-do, giant mecha suits, a stealth plane, an undercover mission–

–And it is nothing like what that list makes it sound like. At least, not to all of the characters involved. That’s the thing about stories; everyone in one is living a different one.

If any of these focus on fiction posts have left you curious about the works mentioned, be aware that the title of each book links to the original launch post, where links to the Lulu and Amazon pages for each can be found. Alternately, append “/books.html” to my main blog URL for a brief outline of all my publications so far and links to their Amazon pages. 

If you’ve read and enjoyed any of them, please tell your friends! Tell the internet! Tell your mum and your boss! If you didn’t enjoy them tell people too, and say why, because I guarantee that what you didn’t enjoy, someone else will love, and it’s cool to give people a chance to find that out for themselves.

The author is currently laboriously researching for this year’s draft, and editing another draft novel, which I promise I will talk about very soon. There is also an exciting, writing-based, art-based long-term project slowly taking shape, and I promise when there’s more on that I will return to this blog and shower everyone with details.