Heavy

It’s here, it’s here. There’s fewer pigs in it that the cover leads you to believe.

When I was researching and writing The Next Big One the world “helpfully” cooperated by giving me the chance to observe responses to a terrifying epidemic of a deadly virus in real time, as Ebola resurfaced in West Africa and one of my friends went out with Save The Children to test blood samples in the field, work for which she was rightfully awarded a medal. Let us hope then that the events of this book remain firmly fiction, dealing as they do with an alternate past, the long aftermath of partial nuclear destruction, and the opportunism bred by lengthy global conflict; the kind of things that become normal, and the horrors that float to the surface…

What if not only everything you knew about yourself was wrong, but everything everyone else knew about you was wrong too?

Pig is in hell.

He’s been in hell for the twenty years since half a continent was atomised; since his own ignominious and contentious escape from a fate that never came; when a face from his past comes offering alleviation, he inadvertently drags behind him a young revolutionary, an extracted spy, and an admin assistant way out of her depth on an unexplained mission that will take them across the world, and which may well solve nothing at all…

“I’m always pleased to see Derek Des Anges writing, with his acute understanding of the horror we do to each other and the tactics we take to survive it.” – Kieron Gillen (Wicked + Divine, Darth Vader)

Heavy is available in print and as an eBook from Lulu.com, from all international Amazon sites in print and on Kindle (US | UK and other regional Kindle sites too), and will shortly be available in eBook format from iBooks, Nook, and Kobo also.

If you’ve read and enjoyed my (or anyone else’s) work, here’s an article on why it’s important for you to say so in public: beware of monsters: why you should review books you love.

Love the cover? Buy art products with it on here.

Want to see the book physically? No problem:

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London Riverside

The last few touches are being gently hammered out with a brick on publication of Heavy, but in the meantime, here is a lovely digital artwork of the Eastern end of the Thames in London, which took me absolute months and made Photoshop shit itself more times than I care to swear about.

If you’d like to see it at a larger size (and I advise that), go here and also look at the stuff you can buy it on, because I have to go and pay someone to drill more holes in my wretched teeth and my bank account is crying.

Heavy times fall upon us.

Would you like to know why I spent a large part of yesterday stalking the streets of London in search of a pig’s head, before finally alighting upon the kind people at Godfrey’s of Highbury, who allowed me and my glamorous assistant (the author behind Transrealities and mistress of multiple musical instruments) into their chopping room to take photographs and refused payment for the same?

Well, you’ll have to wait a little longer. Heavy is on its way, but a few more activities, including some with the pig’s head, await prior to publication.


Recently, the author has: cried a lot in a theatre, had a gazebo lobbed at him by God in the middle of a seaside thunderstorm, cried a little bit in a cinema, and got slightly too drunk watching a childhood movie in a park with a bunch of similarly drunk Millennials who finally get all the innuendo we missed when we were seven. He has also been hard at work editing Heavy, planning a new book, and submitting short stories willy-nilly to some remarkably accommodating small presses, and this is why he hasn’t been updating his blog. It’s definitely not because he temporarily forgot that it existed. That would be madness.