A chance collaboration between myself and one of my favourite artists, the winner of multiple Sir Julius Vogel Awards, Emma Weakley, which I shall try to introduce as briefly as possible:
And by “book” I mean “page”.
Phew, look at that. It’s summer! The sky is full of SCREAMING BIRDS and the sun has found the one part of my body I didn’t aggressively spray with Factor 50, and it has burnt it. My mouth, it has burnt my actual mouth, which is what happens when you and your idiot friends decide to go and feed parakeets but you also really feel the need to drink two bottles of wine and half a bottle of gin, break your flipflop and also give yourself a grass rash that makes you look like you’ve lost a fight to an entire battalion of angry domestic cats.
So while the world catches fire, blows itself up, crashes down around my ears, and murders people with vans outside my friend’s flat (ah, London in 2017: an endless roulette of “oh shit what particular area of my city has become a trending hashtag on Twitter today?”, and that is why I am not going to get very far on giving up drinking this year…), I’m gamely trying to squeeze as much fun as I can out of whatever time I have left on this terrify earth. Tom of Finland documentaries, live broadcasts of sad plays about AIDS, panel talks about London history, and a punishing amount of fruity cocktails feature in my near future, always assuming that we don’t get hit by an asteroid or anything (the way this year is going that’s a possibility).
Also, making art, because that’s what you do in times of strife. Admittedly, I think you’re meant to make political art, but sometimes you also need to colour in a cityscape, right?
Or you could, I guess, print it out and colour it in. I mean, it does look like you ought to be able to. Although ideally I’d prefer it if you bought it on something and thus funded my extravagant lifestyle of going to £12 panel talks about Peter Ackroyd books like the London-obsessed gay nerd we are all very, very aware that I am.
I released this a little while ago but what with one thing (repeated terrorism) and another (general election) and another (massive fire in my city), my job-that-pays-the-rent of “reading all the national newspapers” has been rather all-consuming and my time off has been filled with trying to forget all about it, so this post is late.
A while back I published an odd little short story called The Renaka Device, a post-Revolutionary fantasy story about propaganda and truth. I also have novel I’m currently editing which is, in the main, about the mutability of memory, gaslighting, and truth.
Since the latter isn’t ready yet, I ended up writing another short story set in the same post-Revolutionary fantasy land as The Renaka Device, about the different sizes of commitment, the expendability of the individual, and fanaticism, and how the latter can be picked up and used by whoever wants to, not just one position in the political spectrum.
Available on Amazon Kindle UK (and also on most other Amazon regional sites).
Twenty years after the Revolution, the journalist Shukach Istynyya is permitted to speak with the Revolutionary Republic’s number one enemy, in a once-in-a-lifetime interview. “It might be any man within the cell that I am brought to face, but the Party is honest, and the Party is just, and the man in the cell is called Lubach Zahradnik, and he is The Traitor.”
Future announcements regarding more short stories are on their way but have to been reined in for the time being! Thank you for reading.